TAKAGI Shigemitsu
Faculty of Global and Regional Studies Department of Global and Regional Studies
Professor
Last Updated :2025/06/21

Researcher Profile and Settings

Research Interests

  • 思想
  • 映画

Research Areas

  • Humanities & social sciences / Literature - General
  • Humanities & social sciences / Literature - European

Research Experience

  • Doshisha University, グローバル地域文化学部, 教授, 2013/04 - Today
  • Doshisha University, Institute for Language and Culture, 2007 -
  • Doshisha University, Institute for Language and Culture, 2000 -
  • Doshisha University, Institute for Language and Culture, 1996 - 1999

Education

  • The University of Tokyo, 総合文化研究科, 比較文学比較文化専攻, - 1995

Degree

  • Master of Arts, The University of Tokyo
  • Master of Literature, Sophia University

Association Memberships

  • 日本独文学会

Awards

  • 日本ゲーテ協会ゲーテ賞
    2007, Japan
  • ドイツ文学振興会奨励賞
    1993, Japan

MISC

  • 時の擁護者 ジャ・ジャンクーの『世界』と小津安二郎
    高木繁光
    RONDO 論堂II (同志社大学グローバル・スタディーズ研究科), 46 - 47, Dec. 2018
  • 川に恋した者（ ヴィルヘルム・ミュラーの『美しき水車小屋の娘』について）
    高木繁光
    コーラスめっせ２０１５（パンフレット）, p.10 , 2015
  • 植物学的世界文学試論 ―林達夫と花田清輝を例として―
    高木 繁光
    比較文学研究（東大比較文学会）, すずさわ書店, 97(97) 6 - 32, Oct. 2012
  • 絵葉書としての詩 ツェラーンとデリダをめぐる覚書
    高木繁光
    ツェラーン研究（日本ツェラーン協会）, 日本ツェラーン協会, (第14号 終刊号) 53 - 59, 2012
  • Fassbinder und Nabokov : auf der Suche nach einem ungleichen Ebenbild
    Takagi Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 14(1) 43 - 68, 2011
    DOI URL
  • マキノ雅弘 ――「ノリ」の映画術――
    高木繁光
    『文学・映像における「分身」テーマの総合的研究』（科学研究費補助金・基盤研究（B）研究成果報告書）, 84 - 99, 2009
  • Reviews: Ernst Stadler's lyric poetry: a precursor to the German expressionist lyric by Miura Y.
    高木繁光
    Studies of comparative literature, すずさわ書店, (第88号) 133 - 136, 2006
  • Nietzsche and Cinematographic Thinking
    Takagi Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 第9巻(第2号) 189 - 212, 2006
    DOI URL
  • Differentiation of the cinema - the epic theater and the cinema
    Takagi Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 第9巻(第1号) 71 - 95, 2006
    DOI URL
  • バロック的アレゴリー劇としての映画
    高木繁光
    平成１５年度～平成１７年度科学研究費補助金（基盤研究(Ｂ)）研究成果報告書 両大戦間のドイツにおけるゲルマンとスラブの文化接触とその歴史的意義 研究代表者 松本賢一, 21 - 38, 2006
  • Der Automat--Die Macht der Zweideutigkeit (Lteratur aund Naturforschung)
    TAKAGI Shigemitsu
    Neue Beitrage zur Germanistik, Japanische Gesellschaft fur Germanistik, 第128巻(6) 52 - 69, 2005
  • The Film and Berlin in the Year Zero
    Takagi Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 第8巻(第2号) 355 - 379, 2005
    DOI URL
  • 無のフレーム
    高木繁光
    言語文化（同志社大学言語文化学会）, 第8巻(第1号) 169 - 192, 2005
  • Der Automat. Die Macht der Zweideutigkeit
    第128巻 52 - 69, 2005
  • The Film and Berlin in the Year Zero
    第8巻(第2号) 355 - 379, 2005
  • Body and Voice in the Cinematic Symmetry
    Takagi Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 第8巻(第1号) 169 - 192, 2005
    DOI URL
  • 唯物論的サイケデリックの系譜
    高木繁光
    言語文化（同志社大学言語文化学会）, 第7巻(第2号) 225 - 240, 2004
  • Gerausch/Musik/Filmbilder:Der Film fur die Blinden Augen
    TAKAGI Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 第4巻(第1号) 21 - 37, 2001
    DOI URL
  • ヌーヴエル・ヴァーグにおけるドキュメンタリズム
    高木繁光
    言語文化(同志社大学言語文化学会), 第2巻(第2号) 215 - 231, 1999
  • The Allegorical Theatre of Repetition : On Abbas Kiarostami
    Takagi Shigemitsu
    Doshisha studies in language and culture, Doshisha University, 第1巻(第1号) 105 - 119, 1998
    DOI URL
  • Gottfried Benn : Anti-Synthetiker?
    高木繁光
    同志社外国文学研究, (第七十五号) 99 - 114, 1997
  • Gottfried Benn : Anti-Synthetiker?
    (第七十五号) 99 - 114, 1997
  • ボーボラナンキンの歌 中原中也論
    高木繁光
    批評空間(太田出版）, 太田出版, (第Ⅱ期第9号) 187 - 203, 1996

Research Projects

  • Memories of a Place in Cinematography
    Takagi Shigemitsu
    This Research aims to analyse how memories of a place are (re)presented in cinematographic works. The Interviews with the filmmakers such as Jean-Claude Rousseau, Dominique Auvray, Peter Nestler, Rudolf Thome, Klaus Wyborny, Rainer Komers tell us what is happening at the Front line of the cinematographic art. Besides, this research is epoch-making in an attempt to introduce the 4 german filmmakers who are barely known in Japan and to rewrite a history of the german post-war cinema., Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, 2014/04 -2017/03, Grant-in-Aid for Scientific Research (C), Doshisha University
  • Russian Emigrants Contribution to the Construction of the Image of "Russia" in the World Music, Theatre and Film
    IRINA Melnikova; ISAHAYA Yuichi; TAKAGI Shigemitsu; TATEOKA Kumi
    Our study of the image of≪Russia≫constructed with the contribution of Russian Emigrants in Japan, France, Germany, Czechoslovakia, Great Britain and the US in the 1920-50s made clear that : 1) the great number of Russian emigrants was engaged in artistic professions and chose non-verbal arts which helped to construct the image of≪Russia≫as the country of music, ballet and theatre ; 2) the orientalist trend of the Russian modernism in the beginning of the 20-th century and the image of Russia as the oriental country promoted by Dyagilev's≪Russian Seasons≫, fascinated Europe and was later adopted in the arts of Russian emigrants., Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, 2008 -2011, Grant-in-Aid for Scientific Research (B), Doshisha University
  • On the Motif of "Double" in Literature and Visual Arts
    TAKAGI Shigemitsu
    本研究は、文学作品ではナボコフの小説『絶望』、ドストエフスキイの小説『おかしな男の夢』、マラルメの『イジチュール』、中国の『紅楼夢』を、映像関係ではアレクセイ・ゲルマンなど50年代のソ連社会を舞台とした近年のロシア映画、エイゼンシュテインの映画理論、30年代から50年代のドイツ映画と親近性をもつ近いマキノ雅弘作品などを主たる分析対象として、各研究者がそれぞれの分野で、「二重世界」、「二重文化性」、「二重の知覚」といった二重性を生きる分身的主体のあり方について考察したものである。ここで分身的主体とは、ジギルとハイドのような<病的>現象としてではなく、あれでもありこれでもあるという複数的存在様態を肯定してゆく創造的エネルギーを備えたものとして捉えられている。あれかこれかという単一的世界像の見直しを促すこのような分身テーマは、複製技術時代における文学と思想と映像の相互関係を理解する上できわめて有効な手掛かりとなりうるものである。, Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, 2006 -2008, Grant-in-Aid for Scientific Research (B), Doshisha University
  • The historic significance of the German and Slavic culture contact in Germany between World Wars
    MATSUMOTO Kenichi; ISAHAYA Yuichi; YAMAMOTO Masaaki; TAKAGI Shigemitsu
    Four investigators set the following study theme : 1.The in Germany of the Weimar Republic times 2.The activity of exiled Russian in Berlin and their literary works 3.Jewish problems in Germany of the Weimar times 4.The interrelation of Germany and Russia in filmmaking techniques As a result of investigation, they reached the following conclusion. 1.The in Germany of the Weimar Republic times has its origin in 1906. At that time D.Merezhkovsky and Moeller van den Bruck played an intermediary role in introducing the to Germany. 2.For exiled Russians, particularly for V.Nabokov, Berlin was the ground of living in peace. In writing one of his novels Nabokov wrote two (Russian and English) versions to make it more distinct . 3.For Jewish people Weimar times were the climax of a change to aim at "assimilation". It was the times when anti-Semitism and Zionism added to intensity still more, too. It was as a fictional mental community that Jewish people in those days assumed to be a base of their own identity. 4.By analyzing the detail of German movies from Weimar period to World War II we can find one directionality which can be named . This directionality, not being limited by social trends, have a great influence on recent filmmaking., Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, 2003 -2005, Grant-in-Aid for Scientific Research (B), Doshisha University
  • 映像文化論
    Competitive research funding
  • 日独を中心とした比較詩学
    Competitive research funding